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Becoming Jane: Subject and Narrative Formation through the Language of Suicide and Marriage in Charlotte Brontë’s *Jane Eyre*
(Vanderbilt University, 2014-04-11)
Scholars have understood Charlotte Brontë’s Jane Eyre, a quintessential female Bildungsroman or coming-of-age novel, as ultimately a conservative work, since the marriage at the end of the novel appears to subsume and ...
Locating the Russian Hero: Genre, Gender, and National Identity in Mikhail Lermontov's A Hero of Our Time
(Vanderbilt University, 2015-10-26)