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Referential Worlds

dc.creatorHines, Emily Bartlett
dc.date.accessioned2020-08-23T15:59:46Z
dc.date.available2012-12-13
dc.date.issued2012-12-13
dc.identifier.urihttps://etd.library.vanderbilt.edu/etd-11302012-180302
dc.identifier.urihttp://hdl.handle.net/1803/14931
dc.description.abstractThis dissertation uses insights from narratology and cognitive literary studies to advance a new theory of reference in fictional texts. While reference to real-world entities is a ubiquitous feature of realist fiction, existing theories of fiction have rarely attempted to account for it. Focusing on the Victorian social-problem novel and its offshoots, I argue that engagement with real-world social and political issues is central to the meaning-making capacity of all narrative fiction. In the introductory chapter, I argue that readers easily make sense of “ontologically blended” texts that combine fictional and real-world entities. This feature of texts and of the reading process can be accounted for by the pre-existing theory of conceptual blending. In Chapter II, I demonstrate how conceptual blends are central to the success or failure of ostensibly realistic fiction. This chapter contrasts a critically praised realist text, Elizabeth Gaskell's Mary Barton, with an example of failed reference, Edward Bulwar Lytton's Eugene Aram. Referring to existing entities is not enough to ensure that a text will be accepted as realistic or plausible. Chapter III examines the role of convention in fiction. While convention is often assumed to be realism's opposite, recent empirical research on the reading process suggests that some degree of convention is essential for any text to be perceived as referential. This chapter analyzes how two mid-Victorian political novels make use of, and implicitly comment on, existing conventions for representing politics. Finally, Chapter IV examines the function of detailed spatial description in the novel. Often denigrated as a site of pure reference, detailed spatial description is instead one of the novel's key avenues of meaning-making, allowing readers to construct what I term “schematic spatial analogies.” I analyze the unconventional use of description in Arnold Bennett's The Old Wives' Tale and D.H. Lawrence's The Rainbow to show how description prompts readers to attach meaning to space.
dc.format.mimetypeapplication/pdf
dc.subjectVictorian
dc.subjectCondition of England novel
dc.subjectsocial problem novel
dc.subjectnarratology
dc.subjectcognitive literary studies
dc.subjecthistory of the novel
dc.subjectEdward Bulwer-Lytton
dc.subjectElizabeth Gaskell
dc.subjectGeorge Eliot
dc.subjectAnthony Trollope
dc.subjectArnold Bennett
dc.subjectD.H. Lawrence
dc.subjectcognitive mapping
dc.subjectconceptual blending
dc.subjectrealism
dc.subjectreference
dc.subjectstoryworlds
dc.titleReferential Worlds
dc.typedissertation
dc.contributor.committeeMemberMark Wollaeger
dc.contributor.committeeMemberCarolyn Dever
dc.contributor.committeeMemberLisa Zunshine
dc.type.materialtext
thesis.degree.namePHD
thesis.degree.leveldissertation
thesis.degree.disciplineEnglish
thesis.degree.grantorVanderbilt University
local.embargo.terms2012-12-13
local.embargo.lift2012-12-13
dc.contributor.committeeChairJay Clayton


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