The Evolution of the Nineteenth Century Italian Operatic Tenor

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dc.contributor.authorSen, Suranjan Matthew
dc.date.accessioned2009-06-11T14:15:50Z
dc.date.available2009-06-11T14:15:50Z
dc.date.issued2009-03-22
dc.descriptionA paper for Music Literature and History 244: Music of the Romantic and Modern Eras, Spring 2008. Sen explains how the sound of the tenor we know today is the result of gradual change in opera composition--the tenor came to replace the castrato only after vocalists collaborated with composers.en
dc.description.departmentMusic Literature and Historyen
dc.description.schoolBlair School of Musicen
dc.identifier.urihttp://hdl.handle.net/1803/3084
dc.language.isoen_USen
dc.publisherVanderbilt University. Writing Studioen
dc.subjectUndergraduate Writing Symposiumen
dc.subjectMusic of the Romantic and Modern Erasen
dc.subject.lcshOpera -- Italy -- 19th centuryen
dc.subject.lcshTenors (Singers) -- Italy -- Historyen
dc.subject.lcshMusic -- Performance -- Italy -- History -- 19th centuryen
dc.subject.lcshVerdi, Giuseppe, 1813-1901en
dc.subject.lcshRubini, Gio. Battista (Giovanni Battista), 1794-1854en
dc.subject.lcshDuprez, Gilbert Louis, 1806-1896en
dc.subject.lcshRossini, Gioacchino, 1792-1868en
dc.titleThe Evolution of the Nineteenth Century Italian Operatic Tenoren
dc.typePaperen

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