Indo-Persian Performative Identities and the Harlequin: Agency and Subversion in The Wonders of Vilayet and The Travels of Mirza Abu Taleb Khan

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dc.contributor.authorFriesth, Stevie
dc.date.accessioned2015-10-27T03:08:14Z
dc.date.available2015-10-27T03:08:14Z
dc.date.issued2015-04-15
dc.descriptionEnglish Department Honors Thesis. English 290B Honors Thesis. Professor Humberto Garcia. This thesis explores how, through the adoption of performative art identities (especially that of the Harlequin), Mirza Sheikh I’tesamuddin and Mirza Abu Taleb Khan were able to produce an ambivalence and hybridity, as defined by Homi Babha, that subverted English hegemony and Orientalism.en_US
dc.description.collegeCollege of Arts and Scienceen_US
dc.description.departmentEnglish Departmenten_US
dc.identifier.urihttp://hdl.handle.net/1803/7257
dc.language.isoen_USen_US
dc.publisherVanderbilt Universityen_US
dc.rightsAttribution-NonCommercial-NoDerivs 3.0 United States*
dc.rights.urihttp://creativecommons.org/licenses/by-nc-nd/3.0/us/*
dc.subjectPerformative Identifiesen_US
dc.subjectHarlequinen_US
dc.subjectThe Wonders of Vilayeten_US
dc.subjectThe Travels of Mirza Abu Taleb Khanen_US
dc.titleIndo-Persian Performative Identities and the Harlequin: Agency and Subversion in The Wonders of Vilayet and The Travels of Mirza Abu Taleb Khanen_US
dc.typeThesisen_US

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