Indo-Persian Performative Identities and the Harlequin:  Agency and Subversion in The Wonders of Vilayet and The Travels of Mirza Abu Taleb Khan

dc.contributor.author	Friesth, Stevie
dc.date.accessioned	2015-10-27T03:08:14Z
dc.date.available	2015-10-27T03:08:14Z
dc.date.issued	2015-04-15
dc.identifier.uri	http://hdl.handle.net/1803/7257
dc.description	English Department Honors Thesis. English 290B Honors Thesis. Professor Humberto Garcia. This thesis explores how, through the adoption of performative art identities (especially that of the Harlequin), Mirza Sheikh I’tesamuddin and Mirza Abu Taleb Khan were able to produce an ambivalence and hybridity, as defined by Homi Babha, that subverted English hegemony and Orientalism.	en_US
dc.language.iso	en_US	en_US
dc.publisher	Vanderbilt University	en_US
dc.rights	Attribution-NonCommercial-NoDerivs 3.0 United States	*
dc.rights.uri	http://creativecommons.org/licenses/by-nc-nd/3.0/us/	*
dc.subject	Performative Identifies	en_US
dc.subject	Harlequin	en_US
dc.subject	The Wonders of Vilayet	en_US
dc.subject	The Travels of Mirza Abu Taleb Khan	en_US
dc.title	Indo-Persian Performative Identities and the Harlequin: Agency and Subversion in The Wonders of Vilayet and The Travels of Mirza Abu Taleb Khan	en_US
dc.type	Thesis	en_US
dc.description.college	College of Arts and Science	en_US
dc.description.department	English Department	en_US

Except where otherwise noted, this item's license is described as Attribution-NonCommercial-NoDerivs 3.0 United States