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Twitter Fiction: A Shift in Author Function

dc.contributor.advisorKutzinski, Vera
dc.contributor.authorHyman, Hilary Anne
dc.descriptionEnglish Department Honors Thesis.en_US
dc.description.abstractTwitter fiction, an example of twenty-first century digital narrative, allows authors to experiment with literary form, production, and dissemination as they engage readers through a communal network. Twitter offers creative space for both professionals and amateurs to publish fiction digitally, enabling greater collaboration among authors and readers. Examining Jennifer Egan's "Black Box" and selected Twitter stories from Junot Diaz, Teju Cole, and Elliott Holt, this thesis establishes two distinct types of Twitter fiction - one produced for the medium and one produced through it - to consider how Twitter's present feed and character limit fosters a uniquely interactive reading experience. As the conversational medium calls for present engagement with the text and with the author, Twitter promotes newly elastic relationships between author and reader that renegotiate the former boundaries between professionals and amateurs. This thesis thus considers how works of Twitter fiction transform the traditional author function and pose new questions regarding digital narrative's modes of existence, circulation, and appropriation. As digital narrative makes its way onto democratic forums, a shifted author function leaves us wondering what it means to be an author in the digital age.en_US
dc.publisherVanderbilt Universityen_US
dc.rightsCC0 1.0 Universal*
dc.subject.lcshHypertext literature -- History and criticismen_US
dc.subject.lcshFiction -- 21st centuryen_US
dc.titleTwitter Fiction: A Shift in Author Functionen_US
dc.description.collegeCollege of Arts and Scienceen_US
dc.description.departmentEnglish Departmenten_US

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CC0 1.0 Universal
Except where otherwise noted, this item's license is described as CC0 1.0 Universal