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Indo-Persian Performative Identities and the Harlequin: Agency and Subversion in The Wonders of Vilayet and The Travels of Mirza Abu Taleb Khan
dc.contributor.author | Friesth, Stevie | |
dc.date.accessioned | 2015-10-27T03:08:14Z | |
dc.date.available | 2015-10-27T03:08:14Z | |
dc.date.issued | 2015-04-15 | |
dc.identifier.uri | http://hdl.handle.net/1803/7257 | |
dc.description | English Department Honors Thesis. English 290B Honors Thesis. Professor Humberto Garcia.
This thesis explores how, through the adoption of performative art identities (especially that of the Harlequin), Mirza Sheikh I’tesamuddin and Mirza Abu Taleb Khan were able to produce an ambivalence and hybridity, as defined by Homi Babha, that subverted English hegemony and Orientalism. | en_US |
dc.language.iso | en_US | en_US |
dc.publisher | Vanderbilt University | en_US |
dc.rights | Attribution-NonCommercial-NoDerivs 3.0 United States | * |
dc.rights.uri | http://creativecommons.org/licenses/by-nc-nd/3.0/us/ | * |
dc.subject | Performative Identifies | en_US |
dc.subject | Harlequin | en_US |
dc.subject | The Wonders of Vilayet | en_US |
dc.subject | The Travels of Mirza Abu Taleb Khan | en_US |
dc.title | Indo-Persian Performative Identities and the Harlequin: Agency and Subversion in The Wonders of Vilayet and The Travels of Mirza Abu Taleb Khan | en_US |
dc.type | Thesis | en_US |
dc.description.college | College of Arts and Science | en_US |
dc.description.department | English Department | en_US |
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