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Staging the Americas in Eighteenth-Century France and its Colonies

dc.creatorStevens, April Eileen
dc.date.accessioned2020-08-21T21:30:39Z
dc.date.available2016-04-15
dc.date.issued2014-04-15
dc.identifier.urihttps://etd.library.vanderbilt.edu/etd-03242014-145907
dc.identifier.urihttp://hdl.handle.net/1803/11223
dc.description.abstractThis dissertation compares French plays about the Americas and the French colonies with plays produced in the French colonies in order to better understand the dynamics of the complicated colonial relationship between France and its colonies. This study argues that French theater about the colonies and French colonial theater played a vital role in defining a collective French identity both on the stage and amongst the spectators, and thus the public. French theater was particularly important to developing a French identity because of the social and political influence of French theater during the eighteenth century. This work shows that depictions of the Americas on the stage increasingly influenced the formation of French identity, and aided in the construction of a separate French colonial identity while addressing issues of race, gender, slavery, and nationalism. Finally, this dissertation demonstrates how theater about the Americas contributed to broader colonial discourse and Enlightenment thought.
dc.format.mimetypeapplication/pdf
dc.subjectFrench colonies
dc.subjectcolonial theater
dc.subjectSaint-Domingue
dc.subjectMartinique
dc.subjectFrench theater
dc.titleStaging the Americas in Eighteenth-Century France and its Colonies
dc.typedissertation
dc.contributor.committeeMemberPaul B. Miller
dc.contributor.committeeMemberHolly Tucker
dc.contributor.committeeMemberLauren Clay
dc.type.materialtext
thesis.degree.namePHD
thesis.degree.leveldissertation
thesis.degree.disciplineFrench
thesis.degree.grantorVanderbilt University
local.embargo.terms2016-04-15
local.embargo.lift2016-04-15
dc.contributor.committeeChairJérôme Brillaud
dc.contributor.committeeChairLynn Ramey


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